While trying to procure the business of nearby theme park manager Jupiter (Steven Yeun), a former child sitcom star and survivor of a freak incident, their farm becomes a warzone against a horrific entity.Įssentially a horror movie about how hard it is to get the perfect shot, it’s irresistible to ponder how Peele’s ascendancy in Hollywood is metaphorically explored in Nope. After their father’s bizarre death, the soft-spoken and shy OJ (Daniel Kaluuya) butts heads with his charismatic, commandeering sister Emerald (Keke Palmer). In a remote part of the California desert resides the family-run, Black-owned Haywood’s Hollywood Horses, a farm that trains horses for productions that need them. Three years after his doppelgänger thriller Us and five years after his paradigm-shifting Get Out, Peele expands his field of vision (and his aspect ratio to IMAX, which Peele takes absolute advantage of) for a monster movie with a surprise heist flavor. Brand Perea (right) co-stars as a tech store employee, Angel. Nope stars Daniel Kaluuya (left) and Keke Palmer (center) as family ranchers who find a frightening entity in their own property. Even without all that, Nope is a stunning new entry in the midnight movie canon. In musing Hollywood’s paradoxical business of creating fantasies by killing dreams, Peele along the way places overdue focus on the offscreen heroes who make the motion pictures possible. Brimming with tension but laced with gaiety so as to never feel hostile, Nope is an operatic and sweeping thriller that celebrates cinema and simultaneously condemns it as an industry built on obscured violence. Unpacking the manipulative power of cinema is the crux of his latest, arguably greatest, and most polished work yet. “This movie’s got an inconsistent visual language!” Peele loudly complains beside annoyed moviegoers. Peele himself spoofed this years ago in Key & Peele, playing one of two hecklers calling out the director’s artistic choices. The most powerful thing horror characters never do is look away and say, “Nope.” When something evil threatens to swallow them whole, it’s the audience who shouts to leave the basement. ![]() You know the ones I’m talking about: Hormonal teenagers lost in the woods or haunted homeowners who won’t move out. The characters in Nope similarly and cathartically behave in ways horror audiences (and specifically Black audiences) have long screamed at cinema’s victims for decades. ![]() (His promise is genuine.) “The title speaks to the idea of the audience reacting to what they’re thinking and feeling in the theater.” “The film is a ride,” he said at CinemaCon back in April. When asked about the meaning of the title Nope, writer-director Jordan Peele said it’s meant to indicate a direct relationship with the audience.
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